[ Test run ]


Official Poster
Photo Credit:2008 TIFF
Japanese cinema is relatively old, dating to several years after the Lumière brothers invented their cinématographe device. By the second decade of the 20th century, film companies had already been formed, and cinema grew to occupy an important part of life for Japanese people as a source of entertainment. Japanese filmmaking entered a golden age during the 1950s and 60s with more than 500 films opening at theaters each year and an annual theater-going audience that sometimes exceeded 100 million people. Directors like Akira Kurosawa and Kenji Mizoguchi created some of their greatest work during this period, gaining international recognition in the process. Although Japanese cinema would go on to experience a temporary slump due to factors such as the emergence of television, today the field is flourishing once more in both artistic and economic terms.
Directors from a diverse range of backgrounds—including independent filmmakers, commercial directors, photographers, celebrities, and writers—are taking advantage of their talents to produce a variety of works. Some of them have gone on to win awards at international film festivals and even to direct Hollywood productions. The number of Japanese actors and actresses with roles in foreign and Asian movies is also growing. On the business side, the number of screens continues to increase annually, and audience numbers have stabilized at approximately 160 million per year (approximate figures according to the Statistics of Film Industry in Japan which announced by Motion Picture Producers Association of Japan, Inc).
Japan has become a major market for foreign films, particularly those produced in the United States.
Although the number of Japanese films opening at theaters and the number of theatergoers decreased for many years beginning in the 1980s, Japanese cinema began to recover in both measures by 2005. More than 400 films opened at theaters in 2006 and 2007, with ten of the 2006 releases and eight of the 2007 releases collecting box office receipts in excess of 3 billion yen. Since 2001, the number of theatergoers each year has consistently exceeded 160 million. The size of the market is extremely attractive for foreign films, and many industry professionals, particularly from the United States, regularly come to Japan to promote their productions.
Thanks to its combination of tradition and history with modern high-tech landscapes, Japan is an appealing filming location, and many foreign films have shot scenes in Japan. "Lost in Translation" and "Babel" portrayed Tokyo in dramatic fashion. Recent increases in the number of local film commissions throughout Japan have been a factor in the country's growing popularity as a location for filming. Today about 100 such commissions assist with all aspects of the filming process, including arranging extras and introducing filmmakers to the agencies to which they must apply for permission to shoot, as well as accommodation and dining facilities.
Japanese films have enjoyed remarkable success in key international film awards. "The Tasogare Seibei (The Twilight Samurai)", directed by Yoji Yamada, was nominated for Best Foreign Language Film at the 2004 Academy Awards, at which Ken Watanabe was also nominated as Best Supporting Actor for his performance in "The Last Samurai." In 2007, Rinko Kikuchi was nominated as Best Supporting Actress for her role in "Babel." At the Cannes Film Festival, Yuya Yagira won the award for Best Actor for his performance in "Dare mo Shiranai (Nobody Knows)" in 2004, and "Mogari no Mori (The Mourning Forest)" (directed by Naomi Kawase) was awarded the Grand Prix in 2007. At the Venice Film Festival, director Takeshi Kitano's "HANA-BI" won the Golden Lion (Grand Prix) award in 1997, and his film "Zatoichi" won the Silver Lion award in 2003.
In recent years it has become more common to see Japanese casts performing in overseas productions. There are many examples of recent major films in which Japanese actors and actresses have performed, including "The Last Samurai" (Ken Watanabe, Hiroyuki Sanada) in 2003, "Sayuri" (Koji Yakusho) in 2005, "Letters from Iwo Jima" (Ken Watanabe) and "Babel" (Koji Yakusho, Rinko Kikuchi) in 2007, and "Silk" (Koji Yakusho, Sei Ashina, Miki Nakatani) in 2008.
There have also been initiatives to move joint productions toward an international framework in terms of not only cast members, but also production staff and financing. For example, "Red Cliff Part 1", which was released in 2008, attracted financing from China, Japan, Taiwan, and South Korea to fund total production costs of 10 billion yen. The diverse cast included Japan's Shido Nakamura, as well as actors and actresses from around Asia.
Structure of the Movie Industry
In the movie business, the industry has three distinct stages: 1) Production (from planning and production of work through to completion of a film); 2) Distribution (preparing prints of completed films and distributing them to each movie theater); and 3) Screening (screening at movie theaters).
In the Japanese movie industry, the four major motion picture companies of Shochiku, Toho, Toei, and Kadokawa Pictures have traditionally used a block booking system to undertake all three stages. However, since the 1970's, a gradual trend has seen individual motion picture companies moving away from producing movies for themselves, and instead sub-contracting production to independent production companies. Recently, motion picture companies have increasingly produced movies in tie-ups with other companies through the production commission system, and then organizing distribution of completed films.

Structure of the Movie Industry